Kinuyo Tanaka Directs (Eclipse Series 48)
Kinuyo Tanaka was already one of Japan’s greatest actors—celebrated for her collaborations with auteurs such as Kenji Mizoguchi, Yasujiro Ozu, and Mikio Naruse—when she took a brave leap by embarking on a directing career in a studio system that actively discouraged female filmmakers. The six features she made over the course of a decade center on women characters who refuse to conform to restrictive roles as they seek independence. With compassion and insight, Tanaka critiques the social conditions and forces that shape her heroines’ struggles: sex work and social shaming, the expectation of passively entering arranged marriages, taboos surrounding illness and the female body, imperialism, and religious persecution and forbidden love.
Special Features
An essay by critic Imogen Sara Smith
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Kinuyo Tanaka Directs (Eclipse Series 48)
Kinuyo Tanaka Directs (Eclipse Series 48)
Kinuyo Tanaka was already one of Japan’s greatest actors—celebrated for her collaborations with auteurs such as Kenji Mizoguchi, Yasujiro Ozu, and Mikio Naruse—when she took a brave leap by embarking on a directing career in a studio system that actively discouraged female filmmakers. The six features she made over the course of a decade center on women characters who refuse to conform to restrictive roles as they seek independence. With compassion and insight, Tanaka critiques the social conditions and forces that shape her heroines’ struggles: sex work and social shaming, the expectation of passively entering arranged marriages, taboos surrounding illness and the female body, imperialism, and religious persecution and forbidden love.
Special Features
An essay by critic Imogen Sara Smith
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Kinuyo Tanaka was already one of Japan’s greatest actors—celebrated for her collaborations with auteurs such as Kenji Mizoguchi, Yasujiro Ozu, and Mikio Naruse—when she took a brave leap by embarking on a directing career in a studio system that actively discouraged female filmmakers. The six features she made over the course of a decade center on women characters who refuse to conform to restrictive roles as they seek independence. With compassion and insight, Tanaka critiques the social conditions and forces that shape her heroines’ struggles: sex work and social shaming, the expectation of passively entering arranged marriages, taboos surrounding illness and the female body, imperialism, and religious persecution and forbidden love.
Special Features
An essay by critic Imogen Sara Smith















